https://jci.numl.edu.pk/index.php/jci/issue/feedNUML journal of critical inquiry2026-06-28T16:22:36+05:00Dr. Rabia Aamireditorjci@numl.edu.pkOpen Journal Systems<p><em>NUML Journal of Critical Inquiry</em> (<em>NUML JCI</em>) E ISSN 2789-4665, P ISSN 2222-5706 is published by <a href="https://www.numl.edu.pk/faculties/Faculty%20of%20Arts%20and%20Humanities">National University of Modern Languages, Islamabad, Faculty of Arts and Humanities.</a> It is a continuation of <em>NUML Research Magazine</em> (established in 2003), with revised and improved parameters, approved by the Higher Education Commission of Pakistan. <em>NUML Research Magazine</em> attained the status of Journal in 2011 and was named as <em>NUML Journal of Critical Inquiry </em>from 2011 onward. The contributions are duly abstracted and indexed by ProQuest, CSA Linguistics and Language Behavior Abstracts database (USA). <em>NUML JCI</em> is listed in ProQuest Academic Research Library. <em>NUML JCI</em> has also signed agreements with ProQuest and Ebscohost for international distribution, abstracting, and indexing services. The journal aims at investigating and bringing forth innovative research-based concepts and practices at national and international levels, and promotes scholarly research in the domains of Language, Literature, Linguistics, and Education. The journal provides platform to researchers, classroom practitioners and academic professionals to share their novel theoretical and practical research initiatives. <em>NUML JCI</em> hosts stimulating, inspiring, and informative research papers catering to the complex and increasingly diversifying multidimensional needs of learners, teachers and professionals in diverse contexts. Contributions that break new grounds in the prescribed fields of knowledge, initiate interdisciplinary debates, tap into the latest ideas in pedagogy and creative thinking, and produce knowledge through reasoning and research are welcomed. The journal also accepts Book Reviews in the related areas. <em>NUML JCI</em> not only encourages authors to be creative but also attempts to motivate and guide readers to be inquisitive, creative, and critical in approach. It encourages creative freedom of expression and provides a space for enunciation that may help discipline the intellectual minds to come forth with a logically set frame of innovative ideas in various fields of study. The journal is constantly striving to achieve excellence by promoting quality research. It is also committed to forge ahead with a zeal to set standards of quality and academic integrity. In recognition of its efforts and contribution to research, the journal was upgraded to “CATEGORY Y” by Higher Education Commission of Pakistan in January 2016.</p> <p> </p> <p><strong>Publisher: </strong><strong>Faculty of Arts and Humanities, National University of Modern Languages, Islamabad</strong></p>https://jci.numl.edu.pk/index.php/jci/article/view/327Liberation or a Creative Balance?: A Case For Epistemologies of the South (ES)2026-06-27T13:24:06+05:00Boaventura De Sousa Santosboasantos@gmail.com<p>This paper is about a paradigmatic shift: from the until now dominant western-centric modernity to a plurality of non-western-centric modernities. Such a paradigmatic shift will call for new political, economic, cultural, social, and epistemic tools. In this paper I concentrate on the epistemic tools. I argue that the western-centric modernity is based on the epistemologies of the North and that the paradigmatic shift will call for new epistemologies which I designate as the epistemologies of the South (ES). This does not mean that the epistemologies of the North (EN) should be totally discarded. It means that some of its features are of great value to the extent that they are integrated in broader epistemic landscapes. For instance, western-centric modern science is a valid form of knowledge but it is not the only valid form of knowledge, as claimed by the epistemologies of the North.</p> <p> </p> <p><strong>Conflict of Interest:</strong> The author declares that there are no conflicts of interest related to the research, authorship, and/or publication of this article, and that the data presented have not been fabricated or falsified.</p> <p><strong>Funding:</strong> This research did not receive any specific grant or financial support from public, commercial, or not-for profit funding agencies.</p> <p><strong>Participant Consent:</strong> The author confirms that Informed consent was obtained from all participants, and confidentiality was duly maintained.</p> <p><strong>Data Fabrication/Falsification Statement:</strong> The author declares that no data have been fabricated, falsified, or manipulated in this study.</p> <p><strong>Copyright:</strong> Copyright (c) 2026 Boaventura de Sousa Santos</p>2026-06-28T00:00:00+05:00Copyright (c) 2026 NUML journal of critical inquiryhttps://jci.numl.edu.pk/index.php/jci/article/view/346Born Free, Chained by the Capitalist: Exploitation of Wildlife in Tania James's The Tusk that Did the Damage2026-06-21T10:29:35+05:00Kalsoom Khalidkalsoomkhalid11@gmail.comSofia Hussainsofia.hussain@iiu.edu.pk<p>This paper aims to highlight the oppression of wild animals in Southern India in the wake of late capitalist patriarchal developments. Late capitalism with its exploitative tendencies marginalizes the Third World environment including wild animals. This study focuses on the intricate processes that are involved in transporting illegally procured animal parts from poachers to affluent buyers, involving individuals from diverse backgrounds in the commission and cover-up of the crime. Drawing upon Shiva's "maldevelopment" theory, Karen Emmerman's critique of animal sanctuaries, Catherine Doyle's analysis of captive elephants, and Fleischman's critique of forest policy implementation, this paper delves into the plight of the poached animals and critically analyses the novel <em>The Tusk That Did the Damage</em> by Tania James, from an ecofeminist perspective. By drawing insights from ecofeminist theory, this research investigates the exacerbation of animal trafficking in the contemporary Indian society as depicted in the novel <em>The Tusk That did the Damage</em>.</p> <p><strong>Conflict of Interest:</strong> The authors declare that there are no conflicts of interest related to the research, authorship, and/or publication of this article, and that the data presented have not been fabricated or falsified.</p> <p><strong>Funding:</strong> This research did not receive any specific grant or financial support from public, commercial, or not-for profit funding agencies.</p> <p><strong>Participant Consent:</strong> The authors confirm that Informed consent was obtained from all participants, and confidentiality was duly maintained.</p> <p><strong>Data Fabrication/Falsification Statement:</strong> The authors declare that no data have been fabricated, falsified, or manipulated in this study.</p> <p><strong>Copyright:</strong> Copyright (c) 2026 Kalsoom Khalid & Sofia Hussain</p> <p><strong> </strong></p>2026-06-28T00:00:00+05:00Copyright (c) 2026 NUML journal of critical inquiryhttps://jci.numl.edu.pk/index.php/jci/article/view/337Governing Life and Beyond: The Politics of Survival in Mo Yan’s Shifu, You’ll Do Anything for a Laugh2026-06-21T08:43:56+05:00Tahreem Soomrotehreemsoomro1@gmail.comGong Yunaliagong1101@gmail.com<p>This paper examines selected short stories from <em>Shifu, You’ll Do Anything for a Laugh</em> written by Mo Yan and critically explores governance, survival, death, and the instability of human subjectivity set in post-socialist China. Mo Yan’s fiction highlights a system in which power operates through life, as well as the instrumentalization of death. Using theoretical frameworks of Michel Foucault’s concept of biopolitics and Achille Mbembe’s theory of necropolitics, the paper demonstrates how governance extends from the management of populations to the production of the living dead subjects whose bodies remain economically and politically valuable beyond death. A close textual analysis of four selected short stories is conducted to explore how biopolitical regimes initially produce surplus life, which gets abandoned later, and subsequently, the necropolitical structures transform death into an opportunity for extraction. Mo Yan also destabilizes the boundaries between human and nonhuman as a result of biopolitics, foregrounding human subjectivity as mutable under conditions of extreme deprivation and war-time trauma. The short stories critique modern governance as a system that exploits life, abandons life, cures life, and alters life, making the human body an unstable and negotiable category under the heavy surveillance.</p> <p><strong>Conflict of Interest:</strong> The authors declare that there are no conflicts of interest related to the research, authorship, and/or publication of this article, and that the data presented have not been fabricated or falsified.</p> <p><strong>Funding:</strong> This research did not receive any specific grant or financial support from public, commercial, or not-for profit funding agencies.</p> <p><strong>Participant Consent:</strong> The authors confirm that Informed consent was obtained from all participants, and confidentiality was duly maintained.</p> <p><strong>Data Fabrication/Falsification Statement:</strong> The authors declare that no data have been fabricated, falsified, or manipulated in this study.</p> <p><strong>Copyright:</strong> Copyright (c) 2026 Tahreem Soomro & Yun Gong</p> <p><strong> </strong></p>2026-06-28T00:00:00+05:00Copyright (c) 2026 NUML journal of critical inquiryhttps://jci.numl.edu.pk/index.php/jci/article/view/335Language, Power and Gendered Silence through Hegemonic Euphemism in Gul’s A Pathan Daughter2026-06-21T06:01:23+05:00TARIQ MEHMOOD KHALIDtariqmkhalid@gmail.comAbdul Qayyum Sahar qayumkhattak76@yahoo.comTallat Jabeen tallat_jabeen@outlook.com<p>Language shapes and is shaped by society. It is rarely neutral as it affects norms, perception, and veils power asymmetries. Euphemistic language often masks hegemony and inequalities particularly in patriarchal societies. This study examines the hegemonic function of euphemistic language in Gul’s <em>A Pathan Daughter</em> (2024). The researcher utilizes mixed method. AntConc 4.3.0 (Anthony, 2024) is used for frequency count and Lutz’s (2016) doublespeak framework is employed to examine how linguistic manipulation obscures gendered victimization and oppression. Findings of the study reveal that a persistent use of euphemistic language confines women within the walls of domesticity, while parental control is framed as compassionate guidance; obedience negotiated as honor, education labelled as dangerous, and impractical and forced marriage as a tradition. These linguistic manipulations are utilized to normalize obedience, neutralize resistance, and to internalize the patriarchal control. Euphemistic language operates as an effective weapon of hegemony as well as an internalized mode of compliance. The study exposes how patriarchal hegemony is sustained and inequalities are naturalized through everyday language in <em>A Pathan Daughter</em> (2024). The findings of this study add valuable insights to the context of sociolinguistics and feminist theory by providing a comprehensive and empirical data about the hegemonic function of euphemistic language in enforcing patriarchal control in certain Pakistani fiction. </p> <p><strong>Conflict of Interest:</strong> The authors declare that there are no conflicts of interest related to the research, authorship, and/or publication of this article, and that the data presented have not been fabricated or falsified.</p> <p><strong>Funding:</strong> This research did not receive any specific grant or financial support from public, commercial, or not-for profit funding agencies.</p> <p><strong>Participant Consent:</strong> The authors confirm that Informed consent was obtained from all participants, and confidentiality was duly maintained.</p> <p><strong>Data Fabrication/Falsification Statement:</strong> The authors declare that no data have been fabricated, falsified, or manipulated in this study.</p> <p><strong>Copyright:</strong> Copyright (c) 2026 Tariq Mehmood Khalid, Abdul Qayyum Sahar, & Tallat Jabeen</p>2026-06-28T00:00:00+05:00Copyright (c) 2026 NUML journal of critical inquiryhttps://jci.numl.edu.pk/index.php/jci/article/view/334Conformity and Crisis: Analyzing the Digital and Gendered Personae through Jung's Archetypes2026-06-21T11:40:29+05:00Amina RazaqAminaabdulrazaq266@gmail.com<p>Historically, human psyche has been a subject of literary inquiry but the challenges of postmodern age require a renewal examination through which identity is constructed and maintained in society. This article applies Carl Jung’s Analytical Psychology to analyze the critical tension between the Persona (the social mask) and the Shadow (the repressed self) in the works of postmodern poets, Sherman Alexie and Warsan Shire. The study focuses on how cultural pressure shapes individual identity and hinders the process of individuation. Examining Alexie’s selected poems, the analysis identifies the digital Persona as a mechanism for chronic psychological stagnation and avoidance, while studying selected poems of Warsan Shire reveals psychological burden caused by imposed gendered Persona. The comparison establishes a structural dichotomy in the modern identity crisis; the passive failure of Ego and the triumph of Self through integration. Both poets conform that psychological wholeness in the twenty-first century is possible, but only through an integration of the adopted social role and the repressed self of an individual.</p> <p><strong>Conflict of Interest:</strong> The author declares that there are no conflicts of interest related to the research, authorship, and/or publication of this article, and that the data presented have not been fabricated or falsified.</p> <p><strong>Funding:</strong> This research did not receive any specific grant or financial support from public, commercial, or not-for profit funding agencies.</p> <p><strong>Participant Consent:</strong> The author confirms that Informed consent was obtained from all participants, and confidentiality was duly maintained.</p> <p><strong>Data Fabrication/Falsification Statement:</strong> The author declares that no data have been fabricated, falsified, or manipulated in this study.</p> <p><strong>Copyright:</strong> Copyright (c) 2026 Amina Razaq</p>2026-06-28T00:00:00+05:00Copyright (c) 2026 NUML journal of critical inquiry